襄阳职业技术学院学报

时代发展下，传统非遗音乐与现代大众音乐审美逐渐脱节，如何将传统非遗音乐与现代音乐创作深度融合，成为非遗活态传承的重要课题。文章以原创情景表演作品《团圆》为研究案例，以“创造性转化、创新性发展”理论内核为切入点，厘清非遗音乐元素在现代舞台表演中的转化路径及创新策略，从旋律语汇、编曲思维、乐器织体、叙事表达、情感共鸣五大维度，进行襄阳非遗音乐元素在现代音乐创作中的实践探索，为地方非遗音乐的活态传承提供实践参考与理论借鉴。

With the changes of the times, the division between traditional intangible cultural heritage(ICH)music and modern aesthetic appreciation of music has become increasingly prominent. How to integrate and develop traditional ICH music with modern music creation has emerged as an urgent and crucial research topic.Taking the author′s original situational performance work Reunion as a case study and based on the theoretical connotation of "creative transformation and innovative development", this paper clarifies the transformation paths and innovative strategies of ICH music elements in modern stage performances. From five dimensions including melodic vocabulary, arranging thinking, instrumental texture, narrative expression and emotional resonance, it conducts a practical exploration on the application of Xiangyang′s ICH music elements in modern music creation, aiming to provide feasible empirical references for the living inheritance of local ICH music.